He gets on stage and says "Faith can't win with cruelty, it wins with piety and understanding. but just then, up rides a guard: "Stop in the name of the Viceroy!" Here comes the Viceroy's carriage, and here is the Viceroy himself. Alvaro says, clear the way so the punishment can continue. OK, that's it: Cristóbal gives the sign! Higinio and his gang surge forward! The dignitaries in wigs stand in astonishment!Īnd suddenly, Luis gallops up! "Let her go! I have her pardon from the Viceroy!"įray Alvaro doesn't believe the Viceroy really issued a pardon, and even if he did, the Church is a higher authority than civil government. (At least the executioner is behind her so she doesn't have to see his ghastly fat belly hanging over his black leather belt.) They tear her dress down the back and start flogging. They drone away about her sin, the evidence, and her confession. Hipólita watches another woman, a thief, being flogged. An Ugly Betty remake would help.In the crowd, below the flogging-station, Marcos asks Cristóbal: "What if Luis doesn't get back in time? Higinio and the guys are ready, will you give the sign?" Cristóbal sighs at the innocent people who might get hurt, says it's the hardest decision he's ever made, and then says OK, we'll do it. To fill this gap, we need more Latina faces on screen reflecting the mixture of real Latinx communities. Not all Latinas are the same, our bodies, skin, hair, sexualities, and personalities are different, so Hollywood does everyone a disserve when they reduce us to stereotypes. Betty focuses on the diversity of beauty among female actresses – which is essential for today’s audiences. James) about an Ugly Betty remake.Īlthough you can watch old episodes of Ugly Betty on Netflix right now, a second life will allow a new generation to connect with this story led by great Latinx characters, and delve into other issues relevant to the public today. “I think It’s time,” said Michael Urie (Marc St. In terms of how likely a reunion of the US version is, ownership rights to the series were up in the air after Horta’s death in 2020, but nothing is impossible if Betty’s family puts their mind to it. The production could have adapted it in a different way, say with a white protagonist, but the result would not have been the same. Betty became a powerful role model for Latinxs in the US, who saw themselves reflected on screen in an important, relevant, and popular show. The producer of the US series, Silvio Horta, explained why the word ‘ugly’ disappears in the last episode: “The word fades because it never really should have been there if we’re talking about who she is.”īut it’s not just about beauty, Ugly Betty added an additional layer: a Latina protagonist in one of the biggest series of the time. Ugly Betty presents a spirited woman who needs to learn self-confidence. So, her makeover in the last few episodes is not a superficial thing. Just because she doesn’t fit the image of others, doesn’t mean she can’t be elegant and beautiful. Glasses and braces don’t make her ugly, she needs to believe in herself, understand what style works for her, and learn to defend her perspective. Finally, they were telling us that we could look different and still be the stars of our own stories! Betty, la Fea showed us a smart, professional, hard-working woman who doesn’t have it all figured out, but is deserving as she is.Īlthough for some it’s a cliché storyline about an ugly duckling, Betty doesn’t just change physically through the storyline, she grows as a person. The production’s package is perfect and unusual it was the first time the problems with the cult of beauty were addressed in such an authentic way. In the US, the production was decidedly Latinx, adding to the most successful telenovela in history according to the Guinness Book of Records.īetty, la Fea froze Colombia and Latinxs in general in front of the TV for an hour a day no one wanted to miss the love story, the makeover, the friends’ witticisms, and even the threats from their enemies. The popular story was adapted in countries such as Brazil, Mexico, Greece, Spain, and China. The success of the original in Colombia acted as a platform for productions around the world. television, but it was not the only version. But the icing on the cake was America Ferrera - who nailed the role. In it, we had an important ensemble of Latinx actors including Ana Ortiz, Tony Plana, Adam Rodríguez, Mark Indelicato, Freddy Rodríguez, and Salma Hayek (also as executive producer).
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